Financial District

The pending trial of alleged 9/11 mastermind Khalid Shaikh Mohammed has thrown lower Manhattan into a tizzy, for good reasons. Foremost, of course, is the dread of revisiting the horrors of that day, mingled with fears of new attacks linked to the trial. But there are also concerns that the NYPD's aggressive countermeasures will impede movement, worsen traffic and suffocate the economy of the area, pockets of which never recovered fully from police-ordered street closures and other 9/11 aftershocks. These concerns could be assuaged by a tough, zero tolerance stance on parking placard abuse by government employees.

The other night in the Financial District, the buildings of Trinity Place were lit-up all noir-like, and light illuminated the steam temporarily wafting skyward from an orange stack. The lighting set up a visual image of a comic book, larger-than-life metropolis that will appear in Spiderman III.  I enjoyed watching a take or two of traffic on the streets as the star flew through the air on some kind of hoist, and generally I am a fan of Hollywood filming here because besides creating jobs, it usually improves the city's image, and encourages tourism, and reminds viewers around the world of the excitement that daily life here can include: New York remains the ultimate movie setting because it is the place where anything can happen. But the New York's huge film industry has been leaning on a not-so-secret crutch that has now been eliminiated. (Hat tip to The Oil Drum.) An essay by Francis X. Clines in the Times brings to light some news: